Omega Ampworks Obsidian

Omega Ampworks Obsidian

Obsidian 100W Guitar Amplifier

A persons signature can tell a story about who they are, and every one is unique. Think of our amplification line as part of our signature, with aspects that make us unique. When developing our first amplifier, we took our time to plot out the features and tonal attributes that we wanted to achieve. Versatility without compromise was of top priority, while keeping it simple as to not over complicate the tone shaping process. Simplicity doesn't have to mean a lack of features though. 2.5 channels with switchable voicing(s), full MIDI control, tube buffered FX loop, and even universal voltage selection for use anywhere around the world. Introducing OBSIDIAN.

The Sound

Below are three unmixed snippets. That's right, we said unmixed. Recorded using a 57 to the side of the cap, 421 on the cone to Neve 1073. No post EQ. No compression. All through our custom designed Celestion speakers. All riffs written and recorded by Ben Eller.

Clean Channel: As with most high gain amplifiers, the clean channel(s) can often be overlooked & underwhelming. Simply recreating a "vintage clean" circuit within a design does not mean that tone will be recreated. We tuned the sound by ear to achieve a luscious, full, and detailed sound with incredible headroom and tonal versatility. Low gain levels provide plenty of sparkle and spank with a balanced low-mid ratio. Increasing the drive introduces a slight bit of compression with increased bass response. Increasing the drive further reduces highs, pushes the mids, and achieves gorgeous blues & rock tones. With the bright switch disengaged, rich jazz tones are available while still maintaining beautiful mid-high nuances. This versatility also lends well to adding compression, clean-boost, overdrive, and even distortion to the front end for all you pedal junkies.

Crunch: Although the Crunch and Lead channels share the same EQ Controls (hence the 2.5 channel moniker), this channel does not share the same signal path as the Lead, giving us more flexibility to dial in the tone and response. Round and full lows, a thick cutting mid-range, and touch sensitive highs give you anything from SRV pushed tones, to classic rock and beyond. Simply adding a boost on this channel delivers that classic "Brown Sound" to modern metal, all while maintaining the core voice of the amp.

Lead: Designed to be very musical, this highly harmonic channel adds awesome dimension to your high gain sound. Touch sensitive dynamics, just the right amount of compression & saturation, and incredible note separation deliver a wall of sound that can be easily manipulated by right hand technique. Lows are tight, the mid-range is layered with a rich growl, and the highs are detailed without excess fizz. The Bass SHIFT switch changes the low end character for palm muting, from thick and round to a more tight response. The Mid SHIFT switch raises the mid-range focus for more cut and clarity. The GAIN control is highly receptive to playing styles, keeping this amp balanced and capable for all genres.

Master: The Master Volume allows huge tones to be dialed in at low levels, and also allows for fine tuning of power section / preamp balance. The DEPTH control allows you to dial in the lows from the power section to match the speaker cab attached, while the DETAIL control lets you blend in the right amount of high frequency cut.

Omega Ampworks Obsidian Specs:

Research Hours
Customer Satisfaction
Cups of coffee